For centuries, humans sculpted matter, bending it to their needs. Creation once required resistance, a direct encounter between hand and material. Today, that resistance has faded. Matter is no longer molded; it is processed. Gesture dissolves into code, objects become data, and the body itself is rewritten, adapting to a new, fluid logic.
This project exists within that transformation, shifting between abstraction and figuration, between the mechanical and the organic. Forms emerge, dissolve, and reassemble in a process akin to cinema—close-ups magnify technological surfaces into intricate patterns, long shots reveal vast, dystopian architectures where screens and structures pulse with artificial presence.
Machines do not simply surround us; they define space itself. Observed with an almost forensic gaze, they become something else: a geometric landscape, an abstract composition, an echo of generative art. Occasionally, the trace of a human figure appears, but never as a stable entity.
A dancer, a humanoid, a robotic extension of movement—each suggests an attempt to find form within the system, yet none fully resolve. These figures do not merely move; they enact a fragile dialogue between human expression and artificial constraint, their gestures both liberated and dictated by the digital frameworks that shape them.
The visual language oscillates between the stark precision of black and white, where contrast carves reality into rigid, almost binary structures, and the hesitant arrival of color, suspended between artificiality and emotion. This shift mirrors a world in flux, where technology does not merely advance but absorbs, reshapes, and redefines.
This series was created using ComfyUI, blending three custom-trained LoRA models. Each model was trained on a distinct aspect of my work: my black-and-white photography, my catalog of 3D artworks, and frames from my generative animations.The portfolio unfolds as a dual transition— moving from the most conceptual images to the more figurative ones, and from stark black-and-white contrasts to the emergence of color.
Year: 2025 | N° of Works: 500 | Numbering: 1/1 | Aspect ratio: 4:5 | Dimension: 4320x5408px | Technique: Artificial Intelligence, post production
